Research and development: coloring Ryan Sook 2

Coloring over pencil, an experience. Art of the great Ryan Sook, only for purposes of study.

Research and development: coloring Ryan Sook

Other artist I admire very much, Ryan Sook. Only for the purpose of studying a terror atmosphere.

Research and development: coloring Mike Deodato 2

Two more pages from Mike Deodato, colored by me for study purposes only.

Research and development: coloring Mike Deodato

Two pages and a cover of the amazing Mike Deodato, colored by me, only for study purpose.

Aces Weekly: Heritage

Our new project for Aces Weekly, "Heritage".
Original idea and art by Manoel Magalhães. Final script and colors by me.
Thanks, David!
link for Aces Weekly

Aces Weekly: Prodigal Son

A 21 pages comic created for Aces Weekly, the award-winning, excusively onscreen comic art magazine published by David "V for Vendetta" Lloyd, a true gentleman and a sensitive editor.
Idea by me and Manoel Magalhães, art by Manoel, script and colors by me.
Thanks for the translation, my fellow ace Heitor Pitombo.
Link para Aces Weekly - Volume 6

Design for comics

Logos created for comics projects. It is a kind of work that I really love to do.

Link for Sovena Red Update - Rod Hannah's blog

Design: Book Covers

Book Covers:

"The Long Yesterday" is my first graphic novel (text and colors by me, art by Manoel Magalhães). I really like this cover.

"Hegemony - The Basten Heir" is a science fiction novel of my good friend Clinton Davisson.

"Brazil Fantastic" is a collection of fantastic tales based on Brazilian folklore. Organized by Clinton Davisson for Draco publisher.

The Colonel published!

Published in Brazil my graphic novel "The Colonel" by Nemo Publishing. Art from my usual partner Manoel Magalhães, written and colored by me. Thanks, Wellington!
Link for publisher page

Fawcett finished!

Finished the colors of the graphic novel about Colonel Fawcett, the great British explorer who disappeared in Brazil in the early twentieth century. Looking for a publisher.
Sergio Sbragia (text) and Manoel Magalhães (art), thanks.